Dear Friend and Reader:
We’re building toward a Full Moon this Sunday, with the Moon in Virgo single-handedly opposing a whole school of fishy planets in Pisces (and that’s not all). If you feel like you’re trying to swim upstream; or like you’re caught in a whirlpool; or maybe like every time you turn around, some seemingly solid part of the world has melted and warped like a Salvador Dali painting, you’re not alone.
For example, just this week I’ve read about an uptick in Canadian citizens being turned away at the U.S. border — including one woman born in Canada to Indian parents, with no flags on her file, turned away while trying to visit a Vermont day spa with two white friends. She’d had no previous difficulty visiting the U.S.
Living as I do in a state sharing a significant border with Canada, and which depends heavily on tourism (especially Canadian tourism), I’m hearing a lot of people express concern about what this might mean for the local economy. I know a few frustrated Canadians scrapping their travel plans to the U.S.
Or I could point to an important article making the rounds about the truly horrific, racist cartoons and ads Theodor Geisel — the beloved Dr. Seuss — once drew. As in, he drew African-Americans like monkeys (or as being for sale), and depicted all Japanese-Americans as just waiting for their moment to attack the U.S. from within during WWII. I had an extensive, thoughtful and thought-provoking conversation on Facebook about what this means for us now in terms of how we regard Seuss’ later work.
What is stronger: the harm he caused with those early cartoons, or how he’s inspired people with such stories as The Sneetches and Oh the Places You’ll Go? How do we reconcile these two facts about him? Does his shadow cancel out his light, or vice versa?